{"id":6086,"date":"2023-04-26T12:28:20","date_gmt":"2023-04-26T10:28:20","guid":{"rendered":"https:\/\/www.1618-paris.com\/Le-Journal\/?p=6086"},"modified":"2023-04-26T12:28:22","modified_gmt":"2023-04-26T10:28:22","slug":"le-chant-du-cygne-andrea-olga-mantovani","status":"publish","type":"post","link":"https:\/\/www.1618-paris.com\/Le-Journal\/le-chant-du-cygne-andrea-olga-mantovani\/?lang=en","title":{"rendered":"\u00ab\u00a0LE CHANT DU CYGNE\u00a0\u00bb ~ ANDREA OLGA MANTOVANI"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>Excerpt from the photographic series \u201cLe Chant du Cygne\u201d by Andrea Olga Mantovani, artist selected by Lauranne Germond (COAL) in the exhibition \u201cOrigins\u201d that will open the <strong>1.618<\/strong> Event.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img width=\"1024\" height=\"815\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-1024x815.png\" alt=\"\" class=\"wp-image-6081\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-1024x815.png 1024w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-300x239.png 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-883x702.png 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-472x375.png 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1-949x755.png 949w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/Unknown-1.png 1232w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00ab\u00a0Le chant du cygne\u00a0\u00bb &#8211; Andrea Olga Mantovani<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Andrea Mantovani&rsquo;s \u201c<strong>Le Chant du Cygne<\/strong>\u201d series, created in Europe&rsquo;s last remaining primeval forest, Bialowieza (a <strong>UNESCO <\/strong>World Heritage Site), aims to raise awareness of the indispensable nature of forests.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Photographer <\/strong>and <strong>correspondent <\/strong>for the New York Times, <strong>co-author<\/strong> of the book \u201cs&rsquo;enforester\u201d with the philosopher <strong>Baptiste Morizot<\/strong>, Andrea immerses us in a story that mixes poetry, sylvan mythology, disobedience, and history.<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Excerpt from the photographic series \u201cLe Chant du Cygne\u201d by Andrea Olga Mantovani, artist selected by Lauranne Germond (COAL) in the exhibition \u201cOrigins\u201d that will open the 1.618 Event. Andrea Mantovani&rsquo;s \u201cLe Chant du Cygne\u201d series, created in Europe&rsquo;s last remaining primeval forest, Bialowieza (a UNESCO World Heritage Site), aims to raise awareness of the indispensable nature of forests. Photographer and correspondent for the New York Times, co-author of the book \u201cs&rsquo;enforester\u201d with the philosopher Baptiste Morizot, Andrea immerses us [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6086"}],"collection":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/comments?post=6086"}],"version-history":[{"count":1,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6086\/revisions"}],"predecessor-version":[{"id":6089,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6086\/revisions\/6089"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media\/6081"}],"wp:attachment":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media?parent=6086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/categories?post=6086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/tags?post=6086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}