{"id":6069,"date":"2023-04-24T11:11:12","date_gmt":"2023-04-24T09:11:12","guid":{"rendered":"https:\/\/www.1618-paris.com\/Le-Journal\/?p=6069"},"modified":"2023-04-24T11:14:08","modified_gmt":"2023-04-24T09:14:08","slug":"gabriel-dawe-the-art-of-thread","status":"publish","type":"post","link":"https:\/\/www.1618-paris.com\/Le-Journal\/gabriel-dawe-the-art-of-thread\/?lang=en","title":{"rendered":"GABRIEL DAWE &#8211; THE ART OF THREAD"},"content":{"rendered":"\n<p class=\"has-text-align-center\">Exploring the links between <strong>fashion <\/strong>and <strong>architecture<\/strong>, Mexican artist <strong>Gabriel Dawe<\/strong>&lsquo;s site-specific installations enchant us.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img width=\"1024\" height=\"683\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1024x683.jpeg\" alt=\"\" class=\"wp-image-6062\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1024x683.jpeg 1024w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-300x200.jpeg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-883x589.jpeg 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1536x1024.jpeg 1536w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-2048x1366.jpeg 2048w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-360x240.jpeg 360w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-500x333.jpeg 500w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1155x770.jpeg 1155w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-549x366.jpeg 549w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-949x633.jpeg 949w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1334x889.jpeg 1334w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-472x315.jpeg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/00kvh-1579x1053.jpeg 1579w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Gabriel Dawe <\/strong>is a Mexican artist known for his complex and colorful installations made entirely of wire.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u00ab\u00a0Plexus No. 10\u00a0\u00bb <\/strong>is a large-scale installation composed of hundreds of fine <strong>wires <\/strong>suspended from the ceiling and anchored to the floor, creating a <strong>colorful<\/strong>, <strong>translucent <\/strong>labyrinth through which visitors can walk. The wires are arranged in a <strong>complex geometric<\/strong> pattern, and as the viewer moves through the installation, the colors, and shapes change, creating a <strong>fascinating <\/strong>display of light and shadow.<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img width=\"959\" height=\"640\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium.png\" alt=\"\" class=\"wp-image-6064\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium.png 959w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-300x200.png 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-883x589.png 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-360x240.png 360w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-500x334.png 500w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-549x366.png 549w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-949x633.png 949w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/04\/big_365306_1433_NCCD-Oct2011-018-By-E-Egg-SMALL.jpg.foto_.rmedium-472x315.png 472w\" sizes=\"(max-width: 959px) 100vw, 959px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Exploring the links between fashion and architecture, Mexican artist Gabriel Dawe&lsquo;s site-specific installations enchant us. Gabriel Dawe is a Mexican artist known for his complex and colorful installations made entirely of wire. \u00ab\u00a0Plexus No. 10\u00a0\u00bb is a large-scale installation composed of hundreds of fine wires suspended from the ceiling and anchored to the floor, creating a colorful, translucent labyrinth through which visitors can walk. The wires are arranged in a complex geometric pattern, and as the viewer moves through the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6069"}],"collection":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/comments?post=6069"}],"version-history":[{"count":1,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6069\/revisions"}],"predecessor-version":[{"id":6072,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/6069\/revisions\/6072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media\/6064"}],"wp:attachment":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media?parent=6069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/categories?post=6069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/tags?post=6069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}