{"id":5914,"date":"2023-02-08T12:48:04","date_gmt":"2023-02-08T11:48:04","guid":{"rendered":"https:\/\/www.1618-paris.com\/Le-Journal\/?p=5914"},"modified":"2023-02-08T12:48:06","modified_gmt":"2023-02-08T11:48:06","slug":"a-labri-des-cimes","status":"publish","type":"post","link":"https:\/\/www.1618-paris.com\/Le-Journal\/a-labri-des-cimes\/?lang=en","title":{"rendered":"\u00ab\u00a0\u00c0 L&rsquo;ABRI DES CIMES\u00a0\u00bb"},"content":{"rendered":"\n<p>The first in the series of exhibitions proposed by <strong>ICICLE <\/strong>on the theme of the tree, this installation by <strong>Jonas Delhaye <\/strong>offers a stroll away from our furious and insatiable world that denies the power of rest.<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1.jpg\" alt=\"\" class=\"wp-image-5909\" width=\"367\" height=\"367\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1.jpg 800w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1-300x300.jpg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1-100x100.jpg 100w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1-472x472.jpg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1-569x569.jpg 569w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-woodpeaking-edited-1-764x764.jpg 764w\" sizes=\"(max-width: 367px) 100vw, 367px\" \/><figcaption>Jonas Delhaye, Woodpeaking, latex, variables dimensions, 2017<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center\">\n<p class=\"has-text-align-center\">\u00ab\u00a0<strong>Xiuxi \u4f11\u606f<\/strong> The Chinese script expresses the notion of rest through two characters, the first of which suggests a human figure \u00ab\u00a0ren\u00a0\u00bb leaning against a tree: <strong>\u4f11 <\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-center\">To rest means not so much to stop as to take support, to feel invested with invisible roots, to take shelter for a while.<\/p>\n\n\n\n<p class=\"has-text-align-center\">This rest does not mean \u00ab\u00a0doing nothing\u00a0\u00bb, but rather regulating oneself to the actions of nature, which has its own rhythms and its own system of execution. Following the trees, without representing them, obeying them with skill and ingenuity, this is the subtle requirement of the artist&rsquo;s work. There is nothing declarative or thunderous here, Jonas Delhaye seems to draw on the sources of Chinese poetry, seeking a new score in the minimal and the discreet.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p>Jonas&rsquo; artistic approach is a work of time and attention that is defined in a hybrid form where the work and the photographic image are considered at the crossroads of sculpture and the performative. The creation is always born from the immersion of the body in space, from the experience of time and testifies to the enhancement of a presence in the world.<\/p>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-full\"><img width=\"999\" height=\"1000\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited.jpg\" alt=\"\" class=\"wp-image-5868\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited.jpg 999w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-300x300.jpg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-100x100.jpg 100w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-883x884.jpg 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-472x472.jpg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-569x569.jpg 569w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-764x764.jpg 764w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.Liquidambar-edited-949x950.jpg 949w\" sizes=\"(max-width: 999px) 100vw, 999px\" \/><figcaption>Ginkgo Biloba, silver color paper, 2017<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-full\"><img width=\"999\" height=\"1000\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited.jpg\" alt=\"\" class=\"wp-image-5866\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited.jpg 999w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-300x300.jpg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-100x100.jpg 100w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-883x884.jpg 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-472x472.jpg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-569x569.jpg 569w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-764x764.jpg 764w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye.synthese-edited-949x950.jpg 949w\" sizes=\"(max-width: 999px) 100vw, 999px\" \/><figcaption>Synth\u00e8se, oak leaves, 2012-2017<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image size-full\"><img width=\"767\" height=\"769\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited.jpeg\" alt=\"\" class=\"wp-image-5870\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited.jpeg 767w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited-300x300.jpeg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited-100x100.jpeg 100w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited-472x473.jpeg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-delhaye-etant-donnee-edited-569x569.jpeg 569w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><figcaption>\u00c9tant donn\u00e9e, 4&#215;5 inch slides, frosted glass, wood, led, 60X90 cm\/ 30&#215;70 cm\/ 30&#215;60 cm, 2012-2018<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>In this exhibition <em><strong>\u00c0 L&rsquo;ABRI DES CIMES<\/strong><\/em> at the <strong>Espace Culturel ICICLE<\/strong>, <strong>Jonas Delhaye <\/strong>presents a series of works all produced in situ in parks and forests crossed during his travels in <strong>France<\/strong>, <strong>China <\/strong>and <strong>Canada<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img width=\"1024\" height=\"569\" src=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-1024x569.jpg\" alt=\"\" class=\"wp-image-5872\" srcset=\"https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-1024x569.jpg 1024w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-300x167.jpg 300w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-883x491.jpg 883w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-472x262.jpg 472w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop-949x527.jpg 949w, https:\/\/www.1618-paris.com\/Le-Journal\/wp-content\/uploads\/2023\/02\/icicle-jonas-00-cover-desktop.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Jonas Delhaye, Woodpeaking, latex, variables dimensions, 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The first in the series of exhibitions proposed by ICICLE on the theme of the tree, this installation by Jonas Delhaye offers a stroll away from our furious and insatiable world that denies the power of rest.<\/p>\n","protected":false},"author":2,"featured_media":5858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5914"}],"collection":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/comments?post=5914"}],"version-history":[{"count":2,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5914\/revisions"}],"predecessor-version":[{"id":5919,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5914\/revisions\/5919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media\/5858"}],"wp:attachment":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media?parent=5914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/categories?post=5914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/tags?post=5914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}