{"id":5241,"date":"2022-09-09T15:26:26","date_gmt":"2022-09-09T13:26:26","guid":{"rendered":"https:\/\/www.1618-paris.com\/Le-Journal\/?p=5241"},"modified":"2022-09-09T17:14:52","modified_gmt":"2022-09-09T15:14:52","slug":"villa-kujoyama-luminous","status":"publish","type":"post","link":"https:\/\/www.1618-paris.com\/Le-Journal\/villa-kujoyama-luminous\/?lang=en","title":{"rendered":"Villa Kujoyama : The Luminous"},"content":{"rendered":"\n

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Villa Kujoyama<\/a> is a French art institution located on Mount Higashi in Kyoto – the former capital of Japan, a city of art and history located on the island of Honsh\u016b.<\/p>\n\n\n\n

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As part of the cultural cooperation network of the French Ministry of Europe and Foreign Affairs<\/strong> and under the auspices of the French Institute of Japan<\/strong>, Villa Kujoyama is supported by the Bettencourt Schueller Foundation<\/strong>, which is the main benefactor, and by the French Institute<\/strong>.<\/p>\n\n\n\n

Nestled on the heights of Kyoto, benefiting from a real \u00ab balcony on the city \u00bb, it is a multidisciplinary artistic residence<\/strong> – design, photography, literature, fashion, to name a few. With no obligation of result, the Villa is the temporary granting of a space to encourage creation. Since 1992, it welcomes artists, established or emerging, who wish to examine a specific or original aspect of Japan, through a societal or cultural angle.<\/p>\n\n\n\n

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Before Villa Kujoyama existed, there was the Franco-Japanese Cultural Center<\/strong>, created in 1926 under the impulse of the poet and French ambassador of Japan, Paul Claudel<\/strong>. After finally moving the activities of the Center near the University of Kyoto, whose district was then in full expansion, the building was abandoned.<\/p>\n\n\n\n

In 1986, the French Ministry of Foreign Affairs<\/strong> decided to build an unique establishment there, intended for the first time in Asia, to welcome artists and researchers in residence. The modernist Villa Kujoyama was completed in 1992 by the architect Kunio Kato<\/strong>, who designed this concrete silhouette lost in the vegetation.<\/p>\n\n\n\n

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About twenty laureates are selected each year, craftsmen, authors or artists, to spend a few months in the Japanese \u00ab Villa Medici \u00bb ; a creative synergy aimed to foster a better understanding of practices, crafts and visual arts, by building relationships with the Japanese artistic, cultural, academic and economic communities. They explore themes as varied as Japanese baths, indigo dyeing, washi (Japanese paper) treatment, traditional textile skills, the Takezasado process (entirely manual wood engraving), \u00ab\u00a0Satoyama\u00a0\u00bb (landscape in which man and the ground are in close correlation), etc.<\/em><\/p>\n\n\n\n

Villa Kujoyama relies on sustainable and innovative partnerships, and naturally accompanies its laureates with specific connections for each project.<\/p>\n\n\n\n

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1.618 is pleased to count among its members one of the new laureates of the Villa Kujoyama, C\u00e9line Wright !<\/strong><\/h2>\n\n\n\n

Artisan and designer, she draws her inspiration from her youth spent in Japan and creates luminaries whose softness and delicacy emanate naturally. Her creations are the result of traditional and artisanal techniques, and are attached to the rigor of contemporary design, producing objects with pure forms whose naturally imperfect material gives them a certain poetry.<\/p>\n\n\n\n

During her residency at Villa Kujoyama, C\u00e9line Wright wishes to deepen her knowledge of the current processes and uses of washi paper in order to find innovative – and always natural – solutions with Japanese art masters.<\/em><\/em><\/p>@villa_kujoyama<\/a><\/em><\/em><\/cite><\/blockquote>\n\n\n\n

Recognized on the design scene for her environmental and sustainable values, C\u00e9line Wright asserts this artisanal and responsible approach in her creations.<\/p>\n\n\n\n

Handmade work is the only non-polluting human energy.<\/em><\/p>C\u00e9line Wright<\/cite><\/blockquote>\n\n\n\n

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THE PROJECT \u201cCOCOON-SHELTERS!\u201d<\/strong><\/h3>\n\n\n\n

Faced the new ecological challenges of the planet and the climatic emergency, C\u00e9line Wright has set herself the goal of creating a self-supporting washi installation <\/strong>using a technique similar to the honeycomb. She proposes to curl up in these washi cocoons as in a nest, an igloo in order to take a necessary step back on the world that surrounds us and to appreciate the nature to be preserved<\/p>\n\n\n\n

OPEN CALL FOR VOLUNTEERS FOR THE ARTWORK PRODUCTION WORKSHOP<\/strong><\/a><\/p>\n\n\n\n

In this perspective, C\u00e9line Wright wishes to work with those interested in making this handmade installation together during a workshop.<\/p>\n\n\n\n

The realized work will be presented from October 1st to 10th, 2022 <\/strong>at Kyoto City KYOCERA Museum of Art<\/strong>, as part of the main program of the Nuit Blanche KYOTO 2022<\/strong> and the program of the 30th anniversary of Villa Kujoyama<\/strong>.<\/p>\n\n\n\n

Nuit Blanche Kyoto is a pluridisciplinary art event organized by Institut fran\u00e7ais du Japon \u2013 Kansai <\/strong>and Kyoto City<\/strong>, as part of the friendship between Paris and Kyoto. For this 12th edition, the theme is \u00ab playgrounds \u00bb and the programmation will offer many French and Japanese art works.<\/p>\n\n\n\n

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CHRONOLOGY of a Franco-Japanese relationship through the decades at Mount Higashi<\/strong><\/h2>\n\n\n\n

1926<\/h2>\n\n\n\n

The idea of establishing a Franco-Japanese Cultural Center <\/strong>in the Japanese region of Kansai on Kujoyama Hill<\/strong> is initiated by Paul Claudel<\/strong>, French Ambassador of Japan and Inabata Katsutaro<\/strong>, President of the Osaka Chamber of Commerce and Industry<\/p>\n\n\n\n

November 5, 1927<\/h2>\n\n\n\n

Inauguration of the French Institute of Japan – Kansai<\/strong><\/p>\n\n\n\n

1936<\/h2>\n\n\n\n

Relocation of the Institute’s activities near the Imperial University in the Izumidono district<\/p>\n\n\n\n

During the 1970s<\/h2>\n\n\n\n

The building of Mount Higashi is left abandoned, leading to the growing protest of local residents<\/p>\n\n\n\n

1981<\/h2>\n\n\n\n

Demolition of the site<\/p>\n\n\n\n

November 11, 1986<\/h2>\n\n\n\n

The French Ministry of Foreign Affairs <\/strong>and the Soci\u00e9t\u00e9 de Rapprochement Intellectuel Franco-<\/strong>Japonais agreed to cancel the sale of the land on Mount Higashi and decided to build an artists’ residence there<\/p>\n\n\n\n

November 5, 1992<\/h2>\n\n\n\n

Official opening of the \u00ab Franco-Japanese Center for Exchange and Creation \u00bb <\/strong>and welcome of the first residents<\/p>\n\n\n\n

From 1992 to 2012<\/h2>\n\n\n\n

The Center, now known as Villa Kujoyama<\/strong>, hosted 275 artists and creators, under the responsibility of the French Institute<\/strong> and the French Ministry of Foreign Affairs<\/strong><\/p>\n\n\n\n

2013<\/h2>\n\n\n\n

Renovation of the building carried out with the support of the Pierre Berg\u00e9 Foundation<\/strong> and the Bettencourt Schueller Foundation<\/strong><\/p>\n\n\n\n

Since January 1, 2014<\/h2>\n\n\n\n

Two distinct programs are proposed – \u00ab Villa Kujoyama \u00bb<\/strong> which is aimed at French artists and creators who wish to develop a residency project in connection with Japan (solo or in pairs) and \u00ab Villa Kujoyama en duo \u00bb<\/strong> which is aimed at French and Japanese artists who wish to develop a joint collaborative project<\/p>\n\n\n\n

From 2019 to 2021<\/h2>\n\n\n\n

The Bettencourt Schueller Foundation <\/strong>supports the second phase of renovation of the building, dedicated to the excellence of the laureates’ welcome<\/p>\n\n\n\n

September 1, 2022<\/h2>\n\n\n\n

Appointment of Ad\u00e8le Fremolle<\/strong> as Associate Director of Villa Kujoyama<\/p>\n\n\n\n

2022<\/h2>\n\n\n\n

30th anniversary of Villa Kujoyama<\/p>\n\n\n\n

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The exhibition at C\u00e9line Wright’s SHOWROOM for PARIS DESIGN WEEK<\/strong><\/h3>\n\n\n\n

For Paris Design Week, from September 8 to 17, 2022<\/strong>, C\u00e9line Wright celebrates color and invites you to discover her latest creations – Tsuru, Japanese Cranes in their nuptial parade, Shell, Lightning, Full Moon and others<\/em>. <\/p>\n\n\n\n

Mobiles, hanging lamps, wall lamps, table lamps are to be seen in the showroom from Tuesday to Saturday from 2pm to 7pm, at 56 rue Saint Louis en l’Ile<\/strong>, in the 4th arrondissement, in Paris !<\/p>\n\n\n\n

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Discover the values and commitments of Celine Wright through our 1.618 Guide<\/a>, revealing the most valuable brands acting for a new luxury.<\/em><\/p>\n\n\n\n

C\u00e9line Wright’s designs are also available on the 1.618 E-shop !<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Villa Kujoyama is a French art institution located on Mount Higashi in Kyoto – the former capital of Japan, a city of art and history located on the island of Honsh\u016b.<\/p>\n","protected":false},"author":2,"featured_media":5202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5241"}],"collection":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/comments?post=5241"}],"version-history":[{"count":8,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5241\/revisions"}],"predecessor-version":[{"id":5275,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/5241\/revisions\/5275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media\/5202"}],"wp:attachment":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media?parent=5241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/categories?post=5241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/tags?post=5241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}