{"id":4325,"date":"2022-03-10T17:55:00","date_gmt":"2022-03-10T16:55:00","guid":{"rendered":"https:\/\/www.1618-paris.com\/Le-Journal\/?p=4325"},"modified":"2022-03-18T14:50:13","modified_gmt":"2022-03-18T13:50:13","slug":"sebastiao-salgado-aqua-mater","status":"publish","type":"post","link":"https:\/\/www.1618-paris.com\/Le-Journal\/sebastiao-salgado-aqua-mater\/","title":{"rendered":"SEBASTIAO SALGADO – Aqua Mater"},"content":{"rendered":"\n

Une exposition photographique<\/strong> sur le th\u00e8me de l’eau dans une structure naturelle en bambou d\u2019un millier de m\u00e8tres carr\u00e9s !<\/p>\n\n\n\n

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L\u2019eau est vitale <\/strong>pour l’Humanit\u00e9, bien qu’en danger d’extinction<\/strong>… Sebasti\u00e3o Salgado en fait l’\u00e9l\u00e9ment central de son exposition \u201cAqua Mater\u201d ! Des photographies en noir et blanc qui c\u00e9l\u00e8brent l’eau sous toutes ses formes et usages, \u00e0 travers le monde.<\/p>\n\n\n\n

Pour l’occasion, l\u2019architecte colombien Sim\u00f3n V\u00e9lez<\/strong> a cr\u00e9\u00e9 un grand pavillon en bambou qu’il nomme \u00ab\u00a0Guadua d\u2019Amazonie\u00a0\u00bb, o\u00f9 se tient l’exposition ! <\/p>\n\n\n\n

\u00c0 d\u00e9couvrir du 22 mars 2022 – Parvis de La D\u00e9fense, Paris<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Une exposition photographique sur le th\u00e8me de l’eau dans une structure naturelle en bambou d\u2019un millier de m\u00e8tres carr\u00e9s ! L\u2019eau est vitale pour l’Humanit\u00e9, bien qu’en danger d’extinction… Sebasti\u00e3o Salgado en fait l’\u00e9l\u00e9ment central de son exposition \u201cAqua Mater\u201d ! Des photographies en noir et blanc qui c\u00e9l\u00e8brent l’eau sous toutes ses formes et usages, \u00e0 travers le monde. Pour l’occasion, l\u2019architecte colombien Sim\u00f3n V\u00e9lez a cr\u00e9\u00e9 un grand pavillon en bambou qu’il nomme \u00ab\u00a0Guadua d\u2019Amazonie\u00a0\u00bb, o\u00f9 se tient […]<\/p>\n","protected":false},"author":2,"featured_media":4421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[35],"tags":[],"_links":{"self":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/4325"}],"collection":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/comments?post=4325"}],"version-history":[{"count":3,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/4325\/revisions"}],"predecessor-version":[{"id":4340,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/posts\/4325\/revisions\/4340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media\/4421"}],"wp:attachment":[{"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/media?parent=4325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/categories?post=4325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1618-paris.com\/Le-Journal\/wp-json\/wp\/v2\/tags?post=4325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}